Blog Review
Montreal’s John Serino wrote a really cool blog about us.
Check it out here:
http://www.john-serino.com/2011/12/montreal-technical-death-metal/
We may have converted a non-metalhead!
Montreal’s John Serino wrote a really cool blog about us.
Check it out here:
http://www.john-serino.com/2011/12/montreal-technical-death-metal/
We may have converted a non-metalhead!
Here it is, the Derelict Holiday Deal:
http://derelictmetal.bandcamp.com/album/discography-holiday-deal
This is in effect for December 2011.
Don’t miss your chance.
Holiday Deal – Discography
Grab our entire discography in digital form for $10.
This includes:
Promo EP – 2011
Unspoken Words – 2009
Carry the Flame EP – 2008
Holiday Deal – Discography + Shirt
Everything in Discography + the new Expiry shirt for $20.
In this package, the music is essentially free!
Holiday Deal – Discography + Shirt + Tuque
Everything in Discography + Shirt, + the Derelict tuque, for $30.
In this package, the music is essentially free, AND you’re getting 33% off on the tuque.
Last but not least, every song is 50 cents by itself, and there are a few free ones.
We hope everyone has had a great 2011. We’ll be back in 2012 with a new album, so thanks for supporting us, and remember, when you buy music and merch, you help bands make music and go on tour. Cheers!
- direct link to this post -Check it out:

This shirt is now available on our webstore, http://derelictmetal.ifmerch.com.
Quantities are limited and we’re not reprinting it, so if you like it, now’s your chance!
Quick update before the article: Jordan just finished up drums for the new album in studio, and we’re going to have video footage of that in the next few days.
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Hi! Eric here. This is another post in our series about the meanings behind the song lyrics.
This time I’m covering ‘Forth With The Herd’:
I wrote these lyrics when I was in university. At the time, I was working hard on some sound production courses through which I was learning how to engineer and edit. In fact, all of our 2008 EP Carry The Flame, as well as the guitar tracking for Unspoken Words were done through those classes, which was great. (And I met Max there, which turned out for the best, haha.)
What wasn’t so great was the mentality that I was surrounded with at the time. Perhaps it was the age group, or the class/culture (upper middle-suburban-white) many of my fellow students came from, but I felt like at lot of them had no idea why they were studying. Their parents had pushed them into it and were paying for it, so these kids just went along, sucking the teat, and assuming they would get a six-figure job at the end of a communications degree… ha! These people are part of what I call “The Seasame Street Generation”, people who were told they could be whatever they wanted to be, so they just go along with the flow without any plan, but still expect to be rich/famous/world leaders/etc.
The other part that was bothering me was the corporate business aspect of higher education. Call me naïve, but I only realized a few years in that universities really just are businesses. They need corporate sponsorships. They need good PR. That means hypocritical things like publishing a Dean’s list in the newspaper and setting up booths by organizations like the military or credit card companies to try and rope students in. There are many sides to this issue, I know that, but it still bothers me fundamentally.
In the end, I’m not saying “fuck higher education”, in fact quite the opposite, I’m saying that there should be more of it and that it should be of better quality. I just don’t think school should ever be used as a substitute for the real world. If you don’t know what the Hell to do with your life, get some kind of job, travel, try things, but for fuck’s sake don’t just go into some program because someone else said it was a good idea. Go when you’re ready and grow up in the meantime.
Forth With The Herd
Welcome to class now you are
Locked up all your life in a concrete structure
Blocked off from the world
Clogging up your thoughts with the empty notions
Null on the outside
Live, learn
A blank stare responds
The master of ceremonies drones right on for hours
The blinding lights go dull
The brilliant babies go back home uninspired
Running up your brain through the rodent mazes
Cold and predefined
Making all the necessary contributions
Keep within the lines
Hold still
Welcome to academic success
Jerk off to your name on the Dean’s List
Slowly marching forth with the herd
The umbilical cord of the world
Choking off the breath of your mind
Hollowed out and starving for life
Recycle the elite pinned to your chest
Leaning to the right while stroking the left
Slowly marching forth with the herd
The umbilical cord of the world
Embryonic brains without spines
A flock of talking heads in disguise
Disappear in a sea of cloned thought patterns
Slowly marching forth with the herd
The umbilical cord of the world
Self-aborted right in your prime
Speak up your idea will inspire and shine
Alas it’s been thought a thousand times
Castrate yourself with the fear of being less than wealthy
Rapid-fire attempts at quick inspiration leave you broke and numb
The paralyzing pain of their expectations causes you to run
Drop out
- direct link to this post -For this week’s update, Jordan wrote about his process for preparing new songs for the studio. Check it out, and be sure to check out his
drumming page on Facebook if you like this kind of thing.
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Hey guys, it’s Jordan here to talk about the process I use to prepare for laying down my drum tracks in the studio.
When I first learn a Derelict song, I go section by section and come up with a beat for each one. Usually I’ll have a general idea of what I want, and then I’ll spend a bit of time making sure I can play it tightly. It can happen though that I come up with a beat in my mind that I can’t even play in reality. In those cases, I’ll break the rhythm down and play each hand and each foot separately until I can play each respective part on it’s own. Then I’ll put them together one by one. For example, I’ll learn the pattern I’ll be playing with my right hand. Then I’ll learn the left hand pattern separately, then put the two together. I’ll do the same thing for my feet and play every combination of hand and foot until I’m ready to put all four patterns together. I use this practice method primarily for complex poly-rhythms that require a lot of limb separation.
At this point I’ve learned all the songs that are to be recorded for our next album. My main focus now is going back over all of them, making sure all the parts work and that I can play them perfectly. I’m also going over all the parts that seem uninspired or lacking in some way and beefing them up or rewriting them until I’m happy with them. When they’re up to speed I’ll be shooting videos of each one and putting them up on our
Youtube channel periodically after the album comes out.
I’ve spent a lot of time on the parts for this record, and I’m hitting the studio in mid November. Can’t wait for you guys to hear it!
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Here’s Jordan’s drum video playlist:
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In other news, IFmerch.com just informed us that there is only ONE special CD combo pack remaining on our webstore. It’s the Carry the Flame EP (2008), the Unspoken Words album (2009), and our self-titled EP (2011) for $15. Both EPs are near being out of print. Click the image to check out the store.

Hailing from Montreal, Derelict mixes the brutal and technical elements of the Quebec metal scene with listenable structures and melody, resulting in an unforgiving yet accessible package. The band’s trademark sound has led to comparisons with the likes of Death, Strapping Young Lad, and The Black Dahlia Murder.
In 2009, the release of the Unspoken Words album through Year of the Sun Records marked a kickoff point for Derelict with several national tours, increased media exposure, and greater critical acclaim. The band’s 2011 EP served to preview new material, cement a growing fan base, and set the stage for a new full-length album in 2012: Perpetuation. Mixed and mastered by Chris Donaldson of Cryptopsy, this release contains 12 furious tracks that put forth an upgraded version of what Derelict fans have come to love.
“This album has been long in the making, and saw the band through some intense challenges,” says vocalist Eric Burnet. “We survived our trials and came back much stronger. Perpetuation is streamlined Derelict: it has fast tempos and brutal riffs, but lots of melody and catchiness too. We all pushed ourselves to expand what we could do with our instruments, and we got Sébastien Pittet from Augury playing fretless bass on this thing too!”
With the help of constant touring within Canada, and support for international acts such as Decapitated, Fleshgod Apocalypse, Decrepit Birth, Job For A Cowboy, Whitechapel, The Agonist, Revocation and Threat Signal, the band is expanding its fan base exponentially and is making itself known as a force to be reckoned with.
Eric Burnet – Vocals…Facebook | Twitter
Jordan Perry – Drums…Facebook | Youtube
Max Lussier – Guitar…Facebook | Twitter
Sébastien Pittet – Fretless Bass (Studio)… Myspace
Contact/Booking: derelictmetal@gmail.com
Press Inquiries: ricburnmedia@gmail.com
